Landscape of care: an The Alzheimer Garden in Rome

With its ongoing commitment to social and ecological transformation, Linaria presents a garden project specifically designed for people with Alzheimer’s disease. Conceived as an accessible, shared, and multisensory space, the garden responds deeply and symbolically to the needs of those affected by dementia. Unlike standardized institutional settings, it offers a living, evolving environment that stimulates sensory memory, gently reorients in space and time, and enables experiences of beauty, creativity, and participation. It becomes a place where fragility can be inhabited without shame—where even simple gestures like touching the soil, observing the seasons, or caring for plants become meaningful and empowering.

Developed with and for people with Alzheimer’s, and rooted in an urban context in Rome open to the wider community, Linaria’s garden is not only a therapeutic space—it is a laboratory of coexistence, where caregivers, families, volunteers, designers, children, and local residents come together. It transcends a logic of assistance, embodying instead a practice of shared, everyday care. It becomes a common good—a place where care is no longer delegated, but collectively cultivated.

Linaria’s approach is deeply ecological: it integrates health and well-being within a living ecosystem, celebrates biodiversity, and promotes sustainability through simplicity, reuse, and hands-on practices. In this way, the garden becomes a space of resistance and regeneration.

More than a therapeutic environment, the Linaria garden invites people with dementia to act, explore, remember, and care. In a time when Alzheimer’s often leads to a retreat from language, citizenship, and social life, the garden restores a right to presence and connection. It overturns the passivity imposed by illness and reactivates agency through the body, gestures, and relationship with nature. To design from this perspective is to recognize vulnerability not as a flaw to be hidden, but as a fundamental and shared human condition. Linaria envisions care as a spatial form—one that sustains relationships, offers orientation and comfort, but also freedom, agency, and choice. The garden values the non-verbal, fosters proximity, and supports inclusive, interdependent forms of coexistence.

In theoretical terms, the Linaria project represents a concrete application of “caring with”—in Joan Tronto’s sense—based on shared responsibility, embodied attention, and radical interdependence. Landscape here is not only therapeutic or aesthetic, but a daily act that creates bonds, preserves memory, and generates possibility—even where language fades.

To design gardens for people with dementia is to affirm the spatial value of care: to shape places that hold fragility while enabling action and dignity. Linaria’s garden reflects a commitment to justice and sustainability, restoring significance to every phase of life. At a time of dwindling public infrastructure and increasingly invisible or outsourced care, this project offers a tangible path to repair social, ecological, and health-related fractures.

Investing in such a space means more than improving the lives of those living with neurodegeneration—it means imagining a different kind of society, one that values fragility as a shared human reality and recognizes care as a radical act of transformation, connection, and hope.

Botanical Approach

Plants are at the heart of Linaria’s project, shaping a multisensory landscape designed to engage all five senses. The planting scheme emphasizes fragrance, texture, and color—creating a “garden of the senses” that evolves throughout the year. The selection includes species with contrasting leaf textures—smooth, velvety, leathery, or soft—such as sage, lavender, and pelargonium, offering both visual and tactile stimulation. Seasonal interest is ensured through a thoughtful mix of evergreen and deciduous shrubs and herbaceous perennials, allowing for continuous blooms and changes across the seasons.

The larger sensory shrubs are planted along the perimeter of the garden, creating a soft, immersive boundary. In contrast, smaller aromatic plants and edible species are placed in raised beds and containers at a comfortable height, making them easy to cultivate, touch, and smell—supporting accessibility and direct engagement.

Fragrant plants are carefully chosen for their intensity and quality, and positioned where their scents can be best appreciated. Yet, beyond flowers and aromatic leaves, the garden also embraces the natural smells of damp soil, cut grass, resin, moss, and stagnant water—evoking deep, instinctive memories.

The botanical choices aim to reduce water waste and favor resilient, low-maintenance species—highlighting not just the aesthetic and sensory value of plants, but also their ecological and environmental significance. The design embraces an informal, slightly wild character, inspiring the creation of gardens that are both spontaneous and sustainable.

To complete the ecosystem, workshop activities include the creation of insect hotels and bird feeders, placed in sheltered areas to encourage biodiversity and offer moments of quiet observation.

Participatory activities and seasonal engagement

At the core of the project are diy workshops designed to actively involve people with Alzheimer, valuing their residual abilities and transforming them into creative and meaningful actions. Each activity is designed not as therapy, but as an opportunity to reclaim agency through doing—celebrating the knowledge, gestures, and creativity that remain, and rooting them in a shared, sensory-rich landscape.

Simple yet engaging tasks—such as making seed bombs, propagating plants, and preparing aromatic salts with herbs from the garden—stimulate memory, coordination, and sensory pleasure. Participants have also created kokedama (moss balls), contributing to the garden’s aesthetic and tactile richness. In winter, the program includes the creation of small feeding devices for birds, allowing people to care for other living beings even when planting slows down. The project also took part in a call for a yarn bombing installation, drawing on the knitting skills of participants and transforming traditional crafts into public, collective artworks.

Construction process and inclusion 

The construction of the garden reflects the values of simplicity, participation, and inclusion that guide the entire project. The structures were built using humble, repurposed materials—such as wooden formwork panels and steel rods—chosen for their accessibility, affordability, and adaptability to creative reuse.

Whenever possible, the work was carried out in collaboration with the people attending the Alzheimer day center, who were involved in hands-on activities such as preparing planting containers, filling raised beds, arranging elements, and observing the transformation of the space. Their contribution made the garden not just a place designed for them, but truly by and with them.

The assembly and construction phases were also part of a social inclusion initiative, engaging a refugee and a homeless person in a paid work experience that fostered dignity, learning, and a sense of belonging. The result is a garden that embodies not only care and creativity, but also solidarity and shared responsibility, making space for multiple forms of fragility and resilience to coexist and flourish together.

Presented for the Rosa Barba International Landscape Prize, this project reaffirms the political role of landscape architecture as a tool for social repair, ecological awareness, and democratic participation. It invites us to imagine gardens not as retreats from reality, but as active, generative infrastructures—where people, plants, and places can all find space to belong, transform, and bloom within an inclusive, multispecies city.